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Janine  Martin's avatar

I loved reading your piece about picture maker versus artist - and how art schools today do not teach the basics… I live in England and art schools today teach very little…in fact if a student arrives with some natural talent, they quickly squash their confidence and make them adopt “conceptual art” whilst ignoring basic drawing and observational skills. I attended Art college many years ago and am continually experimenting with new techniques from printing and painting to mixed media and thread art … thanks again for your thoughtful writing xx

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Gina Daugherty's avatar

"That’s the beauty of it—there are choices to be made." Simple yet profound. Thank you!

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Sasha Korellis's avatar

“Not attacking the surface, but listening to it. Observing and responding.

Pulling the image forward, one mark at a time.” This is everything. I’m an abstract artist but it is the same ethos. The paintings where I am “attacking” feel dead. It is when I slow down and “talk” to the canvas is when it comes alive.

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Kate Kern Mundie's avatar

Yes! The dialog with the painting is so important.

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Mary Austin (she/her)'s avatar

This was fun to read, Kate. Plus, there was cake. Your lesson about a line creating a dead spot or creating tension is fun to think about. The same happens with writing, and I hadn't put it into words as elegantly as you did. Thanks for all of this!

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Kate Kern Mundie's avatar

I wonder how you work out the dead spot in writing?

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Mary Austin (she/her)'s avatar

Well, often I notice them after I hit publish…for me, writing consistently seems to help. Same with painting, perhaps?

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Kate Kern Mundie's avatar

For me it is always typos after I publish. Maybe it is the same, consistency and letting go of preciousness.

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